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KlezKamp 2010

Di HooHA!

Tonight, KlezKamp's newest old tradition Di HooHA our fency-shmency dress up dance party takes off at 7:45 with Tantz Meister Steve Weintraub leading hundreds of dancers in a gaggle of high end ballroom dances.

The 20 piece orchestra under the batons of Cookie Segelstein and Pete Sokolow will lay down compelling dance rhythms while dressed as well as if they were actually getting paid for the gig. Add to that the intermission performance of Jenny Romaine's and Tine Kindermann's Youth Theater Workshop production of Di Balade fun dem Yid Vos Iz Gegansen frun Groy Biz Blo (The Jew Who Went from Gray to Blue) after Itzik Manger.

Tired yet? How about three (count 'em three) dance bands followed by a midnight Yiddish song kabaret and you have the end of another perfect KlezKamp day.

All the cool kids speak Yiddish...

For the last 90 minutes, there have been a two young co-eds, maybe 18-19 at most and cute like heck, flirting furiously entirely in Yiddish.

When's the last time you heard that?

BTW: all the cool kids speak Yiddish.

Whew...

Man, it was kind of like a dream.

Clarinetist and producer Alex Kontorovich made the treacherous drive up from the city to lead a good chunk of the Klezkamp staff in a tribute concert (turned dance party) to the late clarinetist German Goldenshteyn. The occasion was the release of the latest Living Traditions CD "The Tradition Lives: Yiddish-Moldavian Music of German Goldenshteyn" by the Goldenshteyn Memorial Orchestra. Recorded at Klezkamp just last year, the release sees the reunion of all the players from German's first and only recording "German Goldenshteyn: A Living Tradition," (available on iTunes and CD Baby) playing material chosen by German and Alex for his second release, but sadly was unable to record after his untimely demise not long after the release of his first CD.

But it was with hearts filled with joy that the band hit the Hudson Valley stage last night, playing down German's repertoire as if that's the only music they had ever played. With no rehearsal and only a glass of vodka for preparation Kontorovich lead a band featuring Dan Blacksberg, Cookie Segelstein, Susan Hoffman-Lankin, Henry Sapoznik, Lauren Brody and yours truly through a solid 90 minutes of Moldavian tunes played in the Jewish style that German first introduced to us. (Accordionist Joshua Horowitz and drummer Aaron Alexander could not attend for family and weather issues, though they were with us in spirit.)

Links to purchase this CD, as well as the new Pete Sokolow CD, will be posted soon!

Under Full Sail

Day Two: classes are up and running smoothly as if we'd been doing this for years (oh, yes, for 26!) and all the new folks (nearly 70%) are acting like they're old hands at this (which after a day here is not that hard.)

Last night's staff concert was tremendous, starting with a wonderful short film by Jenny Romaine and ending with a (literally) show stopping turn by Michael Wex and co. with a real great diversity of talent in between.

Tonight we have a record release dance party as a roll out for the new German Goldenshteyn Memorial CD recorded at last year's KlezKamp and then, of course, followed by a bevy of our dance bands: ear, reading and Hasidic.

Okay, I'm exhausted already. But a good exhausted.

More to come....

Damn, what's all this white stuff??

Well, it's hard to even find time to sit down and write at all. And the first few days were filled with such bad weather and screwed up schedules, we were never sure who was going to get up here and when. Even now a few weary stragglers are stumbling into the resort to find a the toast warm folks inside already deep into yet another deep KLEZKAMP experience. Thanks to what we can only assume was the recent article in the NY Times, there's quite a few new faces, almost as many as folks we already know and that's mighty invigorating.

The first nights fun was watching the documentary "A Jumping Night in the Garden of Eden" with it's director in attendance. It was amazing to see all our heroes live in person (Dave Tarras, Leon Schwartz) and many of our staff (Henry, Frank, Lauren, and others) in their youth. The intervening 25 years were presented in sharp contrast to the current state of Yiddish Cultural affairs. Tonight is the staff concert where I'm pretty sure I will be playing a few tunes with Elaine and Susan Hoffman-Watts and the Youngers of Zion w/ Cookie and Hank which is always a selfish highlight for me.

Gotta run!

The calm before the storm....literally

Sunday morning at the Hudson Valley Resort and Spa. The skeleton crew showed up last night and we're getting KlezKamp on its feet. It's the calm before the storm: literally. Weather predictions are anything from snow showers to blizzards today. 40 years in the desert did little to prepare us for this kind of weather.

A Major Announcement

Last night, Douglas Rosenberg from the University of Wisconsin, Center for Jewish Studies made an exciting announcement on the Tanzhall stage. Here is an excerpt, making mention of Henry Sapoznik and the Klez Kamp Road Show residency in Madison this spring:

"Henry’s residency and the KlezKamp Roadshow generated tremendous excitement for the work that those of you involved with KlezKamp have been doing for the last 25 years. It seemed that there was an audience waiting to happen in Madison, not just in the university milieu, but more importantly, in the communities beyond the university walls. The momentum provided by that residency led to more conversations with Sherry, Carol, Henry and my colleagues at UW about how we might form a permanent partnership that would honor and perpetuate the work of Living Traditions and of the KlezKamp community as well.

The idea was met with great enthusiasm from colleagues across numerous disciplines on campus, including theater, music, art, dance, language and most importantly, the University library. The library has agreed to house the Mayrent collection and to make it universally accessible as well as to preserve and maintain the original discs in perpetuity.

That was a pivotal commitment and in the last few months, we put together a larger proposal for an institute of Yiddish culture on the UW campus. That proposal worked its way through the various university committees and two weeks ago we were informed that it had passed unanimously.

So, tonight, I am honored to announce the creation of the Mayrent Institute for Yiddish Culture to be permanently located on the campus of the University of Wisconsin-Madison.

The initial funding for the institute is made possible by a generous gift from Sherry Mayrent and Carol Master. The Mayrent Institute for Yiddish Culture will be a unique facility devoted to fostering an understanding of the world of Yiddish through its arts. The institute will be directed by Henry Sapoznik.

The work is not done yet though, and the university along with the Center for Jewish Studies has undertaken a campaign to raise the additional funds necessary to insure the longevity of the institute as well as to achieve all of the goals that we have set out for it.

I want to say one more thing about this: Though I have not been associated with KlezKamp for very long in the scheme of things, what I realize is that KlezKamp is a community effort that has inspired tremendous loyalty and ownership in the future of a very fragile culture. The Mayrent Institute honors the contributions of countless people over the last 25 years and is a measure of the commitment and hard work by the staff of Living Traditions as well as the efforts of every teacher and participant of every KlezKamp. We are truly blessed by this.

Thank you.

Yiddish Bulgar

Henry Sapoznik, Cookie Segelstein, Pete Sokolow, Alex Kontorovich, Micheal Winograd, Mike Cohen, Frank London, Daniel Blacksburg, Jim Guttman, Aaron Alexander, Loren Brody, Malka Lerner, Adrienne Greenbaum.

The Hoo-Hah : Grand March, snippet

Henry Sapoznik, Cookie Segelstein, Pete Sokolow, Alex Kontorovich, Micheal Winograd, Mike Cohen, Frank London, Daniel Blacksburg, Jim Guttman, Aaron Alexander, Loren Brody, Malka Lerner, Adrienne Greenbaum.

Henry Sapoznik, Cookie Segelstein, Pete Sokolow, Alex Kontorovich, Micheal Winograd, Mike Cohen, Frank London, Daniel Blaskburg, Jim Guttman, Aaron Alexander, Loren Brody, Malka Lerner, Adrienne Greenbaum.

The Big "Hoo-Hah" Dance, Krakowiak

Henry Sapoznik, Cookie Segelstein, Pete Sokolow, Alex Kontorovich, Micheal Winograd, Mike Cohen, Frank London, Jim Guttman, Aaron Alexander, Loren Brody, Malka Lerner, Adrienne Greenbaum.

The Second Half

This morning begins the second half of KlezKamp. Shabbos was a wonderful, restful experience for most of the folks here, lots of singing and shmoozing, and catnaps on the lobby couches. It's such a pleasure to have uninterrupted time to spend with friends. Last night the program began again with a bang -- literally -- as Elaine Hoffman Watts and friends celebrated the release of Elaine's new CD with a delightful concert. Today we're back to business as usual, and looking forward to Di Hoo-Hah and the announcement of some amazing news affecting all members of the extended KlezKamp/Living Traditions family. Stay tuned for more....

Pearl Sapoznik singing in the hall..

Pete Sokolow at the controls...

It's starting....

People have started to arrive, and in a couple of hours the trickle of arrivals will swell to a torrent. The registration folders are in pristine alphabetical order, waiting to be handed out; signs point the way to all the classrooms, the tees and sweatshirts are folded and sorted by size. Even the sun is shining.

My late entry to the Klez Kamp Zhurnal

I screwed up and delivered my Zhurnal story a week too late to make publication, so here it is at least on line:

Man, it was cold, colder than I could ever remember with snow everywhere. Sure it got cold on the Oklahoma plains where I was born and raised, but I had been living in Texas for a long while now and tonight I stood shivering in my cowboy boots there in the foyer of the Paramount. Just as unfamiliar to my experience was the great bus-load of little old folks and precocious little kids streaming into the old resort, all a ruckus with big hugs and joyful reunions, chattering away in this strange Germanic tongue. Up to that point, the only Yiddish I had heard was my Godfather Morris Katz calling his milk cows into the barn for the night back in Stillwater. Frankly, I had never around this many Jews before, not even at High Holy Days. My head was swimming.

“Oh good, you made it!” said the guy who invited me as he bounded towards me in the lobby. I had never met Henry Sapoznik in person but we had corresponded for years and for just as long he had been cajoling me to come up to “Kamp.” Though technically a stranger (heck I didn’t know a soul there really,) he hugged me like an old friend. “You’re just in time! The dancing is starting. We need a bassist.” He led me down into the Tanzhall and bade me onstage. I took of my coat, inquired about a key from the amiable clarinetist, and proceeded to clam my way through a thrilling set of dance tunes with Merlin Shepherd and Loren Brody.

Back home in Texas I play for dancing quite a bit, it’s one of the reasons I live there in fact. But here for the first time in my life I was actually playing Yiddish music, MY people’s music, for room full of Jewish dancers dancing Yiddish dances. Not a concert, with lifeless music set in amber, distant and removed. Tonight, here at this place music had sprouted legs, was drinking a bit too much and was tearing up the dancefloor. I don’t know if I can properly express how huge a thing that is, how music literally comes alive when it’s simply just a part of a greater function, in a living context. 13 trips back to the Catskills over Xmas week later, I am still in awe of that first of what was to be many, many “Klez Kamp Moments.” If only for this one gift, dayenu.

Truth is I’ve got quite a lot of stories I could tell you; of the musical relationships that formed here, of the people I now call my family, how these experiences have in many ways made me who and what I am not only as a musician, but as a person and as a Jew. Of the deeply moving naches of watching the same little pischers who were running around wild when I first came here mature in the adults that we now look to continue our work. I could tell you about the time I was down with no one to turn to and how this community, the Yiddish Culture family that Klez Kamp gave birth to 25 years ago and nurtures to this day, lifted me up with love and support.

I don’t know if I can properly express how huge a thing that is.

The hotel is quiet tonight. Five of us are quietly working on our computers in the lobby; the bartendder has a football game on the tv, and the Epes Center is starting to take shape. Once again, KlezKamp is about to happen. In a few short hours, old friends and new will start trickling then pouring in, and by dinnertime the lobby will no doubt be full of music.

It's just as exciting now as it was 22 years ago when I walked in for the first time.