KlezKamp26
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Wednesday, December 27, 2006
So busy having fun
Notes from the front
Here are scenes from Jill Gellerman’s PM1 Hassidic Dance class, exploring the effect of popular American dance steps in the Hassidic community. So, the bunny-hop is kosher, who knew?
The amazing Binyomim Ginsburg leads the band on vocals and wonderfully cheesy electric piano sounds.
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Klez Kamp: German Goldenshteyn Concert Video on YouTube
This is the first two tunes from the memorial concert for German Goldenshteyn at Klez Kamp on Monday night. It was an extraordinary experience to be there.
Thanks to Meredith Holch and Mark Rubin for their efforts in making this posting happen so quickly. We hope to have some more clips up during Kamp.
Enjoy.
http://www.youtube.com/watch?v=x5JrABKGQRo
Thanks to Meredith Holch and Mark Rubin for their efforts in making this posting happen so quickly. We hope to have some more clips up during Kamp.
Enjoy.
http://www.youtube.com/watch?v=x5JrABKGQRo
Best Staff Concert Ever
Best Staff Concert EVER! I heard that over and over last night after an amazing concert featuring KlezKamp staff playing solo turns and in ensembles covering every possible variation of Yiddish and Klezmer music.
Michael Wex emceed the program with aplomb, including his droshe on the influence of Curly and the other Stooges on Yiddish in the greater culture. All of the acts deserve mention but the stand-outs for me included an amazing clarinet solo by Andy Statman, who did the impossible at KlezKamp and achieved a totally silent, rapt audience; Elaine Hoffman-Watts, who drummed up a storm; the Frank London brass ensemble; Susan Leviton's beautiful Yiddish song; Ray Musiker's Mayn Shtetele Belz solo; Michael Wex's "I'm too sexy for Chabad" solo; so many more.
It was an incredible evening. We have recorded all the evening programs and will have them for sale at the EpesCenter and, we hope, soon on our website .
Michael Wex emceed the program with aplomb, including his droshe on the influence of Curly and the other Stooges on Yiddish in the greater culture. All of the acts deserve mention but the stand-outs for me included an amazing clarinet solo by Andy Statman, who did the impossible at KlezKamp and achieved a totally silent, rapt audience; Elaine Hoffman-Watts, who drummed up a storm; the Frank London brass ensemble; Susan Leviton's beautiful Yiddish song; Ray Musiker's Mayn Shtetele Belz solo; Michael Wex's "I'm too sexy for Chabad" solo; so many more.
It was an incredible evening. We have recorded all the evening programs and will have them for sale at the EpesCenter and, we hope, soon on our website .
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